lush.
Delays · Motion · Reverbs
A delay, a stereo motion engine, and a luscious reverb in one plugin. The sound you've always heard in your dreams.
V1.0
Delays · Motion · Reverbs
A delay, a stereo motion engine, and a luscious reverb in one plugin. The sound you've always heard in your dreams.
Reverbs and delays are some of the most expressive moves in modern music — and sometimes, some of the most annoying to perfect. A delay on one bus. A motion plugin after it. A reverb after that. And every plugin in that chain was designed in isolation, without knowing it was about to feed the next. Lush is the chain, built as one instrument. Made to be used as simple or as complex as you'd like, Lush can deliver anything your mind and ears can come up with.
Delay & ambience · Dry then wet
Delay & reverb · Dry then wet
Slap & gated reverb · Dry then wet
Delay · Dry then wet
Groove delay · Dry then wet
Throw & reverb · Dry then wet
Complex effects are usually built from a chain — delay into auto-panner into reverb, for example. Three plugins talking past each other. Lush puts all three under one roof, designed as a single instrument. Less window clutter. Less CPU. And every stage was tuned with the next one in mind.
One click swaps the chain: now the reverb feeds the moving delay, instead of the other way around. The first puts a moving sound into a still space — long, blooming tails. The second puts a still sound into a moving space — rhythmic, ricocheting wash. Or run them in parallel for something between.
Two LFOs with chaos and waveform shaping for stereo movement that swirls and evolves — not the mechanical ping-pong of a stock auto-panner. Run it symmetric and both delay taps mirror each other across the field; run it independent and each tap gets its own rate, depth, and waveform. Turn it up and the effect breathes. Turn it down and it sits still.
The delay ships with five character styles — Digital for clean modern echoes, Studio Tape for gentle warmth, Old Tape for wow and grit, Tube for soft saturated bloom, and Lo-Fi for narrow-band, bit-crushed haze. The character lives inside the feedback path, so each repeat inherits the last one's color the way real tape would.
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